Jovan Sterija Popović: THE PATRIOTS

National Theatre in Belgrade, Serbia
November 26 19:00 - Main HallTickets
1h 35’ without intermission

Žutilov: Slobodan Beštić
Nančika: Anastasia Mandić
Milčika: Suzana Lukić
Šandor Lepršić: Pavle Jerinić
Mrs. Zelenić: Nela Mihailović
Šerbulić: Hadži Nenad Maričić
Smrdić: Nikola Vujović
Gavrilović: Zoran Karajić
Nađ Pal: Branko Jerinić
Skoroteča: Bojan Krivokapić

Director and set design: ANDRÁS URBÁN
Director’s assistant and dramaturgy: Suzana Vuković
Dramaturgy: Slavko Milanović
Costume design: Marina Sremac
Composer: Irena Popović Dragović
Speech coach: Ljiljana Mrkić Popović
Movement: Tamara Antonijević
Set design: Miraš Vuksanović
Executive producer: Milorad Jovanović
Organiser: Jasmina Urošević
Director’s assistant: Maksim Milošević

The lyrics of songs used within the performance by Jovan Sterija Popović, Đura Jakšić, Jovan Hadžić and Stevan Vladislav Kaćanski

Prompter: Gordana Perovski
Stage manager: Aleksandra Rokvić
Make-up: Dragoljub Jeremić
Light operator: Srđan Mićević
Set crew chief: Zoran Mirić
Sound operator: Tihomir Savić

We are thankful for the contribution of designer Arpad Blaško.   

It is 1848, a time when the revolution spreads quickly from France, through Italy and Hungary to Vršac, a small town in Banat, where a group of local upstarts and bankrupt shopkeepers pose as Serbian representatives. Their only qualification for fulfilling the role of representatives is their patriotism, meaning whatever their personal interests might be. Initially, they maintain the façade of being humble “Hungarian patriots” (they are proud of their Hungarianized names, with their church masses being held in Hungarian – albeit not the proper Hungarian language; they adorn themselves with Hungarian rosettes, etc.), however, when they learn about the Serbian uprising and the demand for the creation of Serbian Vojvodina, they immediately turn into warmongers. Nonetheless, their patriotism is always ambiguous, depending on the outcome of the current battle. When the Hungarians win a battle, they display their Hungarian rosettes on their chest, but when the Serbs win, they, as local government representatives, brutally raid, imprison and kill their Hungarian neighbors. Whilst always singing patriotic songs, they stop at nothing in achieving their goals, killing the only honest and reasonable man of the group – Mr. Gavrilović, a prominent merchant. After the Hungarian counter-offensive of 1849, they flee to Belgrade, where they live as wealthy people and lament, without any remorse, over their ‘misfortune’ while at the same time singing Sterija’s gentle love ballad about the importance of ‘having a pure heart’.

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